dissertation title #36: David Lynch, or the Feminization of Alfred Hitchcock


the saint, as always, proves inspirational
Labels: Alfred Hitchcock, Cinema, David Lynch, feminine, science of image, theory
a new context for the communal production, appropriation and distribution of critical knowledge


Labels: Alfred Hitchcock, Cinema, David Lynch, feminine, science of image, theory
Unfortunately, perhaps due to the general difficulty in accessing to a screening of Inland Empire, the contributors of this list were not able to engage in a conversation on Lynch's latest installment of his post-noir non-all cinema. In any case, from its use of digital camera to its commerically suicidal 3hrs long non-narrative "plot", the movie is a big "fuck you" to the Hollywood system. Well, let's now pay attention to what Lynch himself thinks about the commericalization of cinema:
Labels: Cinema, David Lynch, feminine